Adolf Loos and much more: New MAK exhibitions


    <div class="td-post-featured-image"><figure><img width="696" height="485" class="entry-thumb" src="" srcset=" 696w, 300w, 1024w, 768w, 100w, 1068w, 603w, 1200w" sizes="(max-width: 696px) 100vw, 696px" alt="" title="Adolf Loos und noch viel mehr: Neue MAK-Ausstellungen"/><figcaption class="wp-caption-text copyright">© APA / APA (Albertina Wien)</figcaption></figure></div>
    <!-- Entweder gibt es keine banner, oder die banner sind deaktiviert oder hier nicht entsprechend eingestellt! --><p>The weeks of hard lockdown are over, and the Vienna Museum of Applied Art (MAK) seems to be hard to wait for the reopening on Tuesday.  The Haus am Ring attracts its visitors with four new presentations and offers an enormous range.  An architectural classic is included as well as a playful, especially attractive intervention for families in the permanent showrooms.

December 10th marks the 150th birthday of Adolf Loos. Reason enough for the MAK to dedicate a compact but extremely informative exhibition to this pioneer of modern architecture. “Adolf Loos. Private houses ”(December 8th-March 14th, 2021) corresponds exactly to the title and invites you to explore the architect’s various approaches in this area.

It is by no means just about buildings planned or realized for private individuals, but also about his social projects. An example would be the small apartment house planned for a plot of land in Vienna-Favoriten, consisting of two complexes connected by a bridge that offer a lot of outdoor space. The project, which can be seen as a model in the MAK, was never realized, but especially when compared with a plan for a group of 20 villas, it wonderfully shows Loos’ creative ideas.

His clear formal language is also evident in the house planned for dancer Josephine Baker in Paris (including club and indoor pool). “Use creates the shape of the objects”, a quote from Loos can be read just a few meters above the model. With this approach he differed significantly from his contemporaries. The show, curated by Rainald Franz and from the Albertina’s Loos archive, is framed, so to speak, by a bust and the death mask of the great architect.

You can indulge in a treasure hunt under the motto “Cheeky and free” (December 8th – April 5th, 2021). The MAK used the closing times in the exceptional Corona year to design an intervention that brings “hidden objects” into the showrooms. Staged by the design studio mischer’traxler and Janina Falkner, it starts in the columned hall, where an oversized rack forms the starting point. Seldom shown objects from the collection conquer their space between the “long-time residents” from here and create sometimes exciting, sometimes funny or weird connections.

Markus Schinwald’s “Untitled (Machine 3)”, for example, has made himself comfortable between all sorts of artistic chairs, a constantly buzzing construction in the center of which an unreal-seeming structure of chair legs floats up and down. Or the small sculpture of the three drunks who have slipped into a display case and hug each other next to richly decorated beer mugs. The motto “Visiting Friends” naturally makes sense.

Guided by the bright green markings, it is a new view that opens up in this way. What the MAK team thought of the respective comparisons can be interpreted in one way or another. In any case, it is worthwhile for families to pick up the treasure maps stacked in a box at the beginning. They not only make it possible to walk through the rooms, but also reveal small symbols that, correctly decoded, result in a password. Or you just enjoy the fact that Donald Judd’s armchair has “climbed” up to the room in the room and makes himself comfortable there.

The opening offer in the MAK is complemented – on Tuesday and Wednesday with free admission – by the show “100 best posters. Germany Austria Switzerland ”(December 8-14, 2021), which brings together the graphically extravagant, opulent and minimalistic. This year there were a total of 684 entrants with well over 2,000 posters. The winners let a finger slip out of a banana peel, raise trash in the form of two hands over a kitschy wheat field to art or dedicate themselves to alcoholic enjoyment in a clear design language.

Three subjects from Austria were also awarded: Studio Es is represented twice, on the one hand with a poster for Rosa Friedrich’s short film “Topfpalmen”, which uses the film’s color palette, and a series of three on Helmut’s Art Club. Studio VIE was also successful with its work for Tanzquartier Wien. Artist Jakob Lena Knebl focuses here on a mixture of body and writing, thus combining the organic and the artificial in a closely intertwined form.

And finally, the MAK has the fifth and last part of the “Creative Climate Care Gallery” on offer. The pop-up series started in June in cooperation with the University of Applied Arts will be completed by Antonia Rippel-Stefanska. For “One shines less” (December 8th – 3rd, 2021) she crossed three video projections with two idiosyncratic deformed sculptures and thus wants to treat feelings such as separation, dependency or helplessness.

(SERVICE – exhibitions: “Adolf Loos. Private houses” in the contemporary art permanent collection from December 8th to March 14th, 2021; “Cheeky and free! The invasion of hidden objects” from December 8th to April 5th, 2021; “100 best posters from December 19th to March 14th, 2021; . Germany Austria Switzerland ”in the Works on Paper Room from December 8 to March 14, 2021;“ Antonia Rippel-Stefanska. One less shines ”in the framework of the Creative Climate Care Gallery from December 8 to January 3, 2021; Museum of Applied Art, Stubenring 5, 1010 Vienna, Tue 10 a.m.-9 p.m., Wed-Sun 10 a.m.-6 p.m.;)

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